supported by 10 fans who also own “laughing or crying to death”
when i first listened to this album around its initial release, i was hooked immediately!! the breakcore in Salesforce is fabulous. it is so perfectly illustrated in a way that it sounds like insanity in its rawest audible form. the transition from the reliance of drums to the piano pieces was a treat, ending off beautifully with Halt Draft. normally, significant genre shifts annoy me, but the piano arrangement and sharp contrast is too good for me to dislike Molly